beforward:
Okay, this needs some explaining. If you don't know, Amanda Palmer is the singer for The Dresden Dolls. She is an excellent songwriter and all-around strange and cool chick. Not that I've met her mind, you. She released a solo album in September 2008 called "Who Killed Amanda Palmer" which is a reference to Twin Peaks, in case you also didn't know (Laura Palmer)... I'll spare you a link - copy and paste and Google if you're wondering. There's also a companion book of lovely pictures of Amanda in various death poses, with text written by Neil Gaiman. At any rate, there's a website, www.wekilledamandapalmer.com that has folks submitting stories inspired by the phrase or pictures and such. Weird people like, well, me. I read a post on Amanda's TwitterFeed where she used the phrase Twitchhiking. I wrote a weird story. I sent it in. I didn't get mentioned or anything on the site. F00. I posted it here. I put up a lot of links!
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amandapalmer has died
Where’s the next bus stop was the last thing she
said.
I knew she didn’t know where we were
going.
I knew she didn’t see how far we’d gone.
I live in the black spaces between
breaths and she was another seed planted,
radioactively decaying.
I like that idea, half-life.
How long will you continue to decay,
losing half your life, losing half your life?
How much longer do you have?
One more post? Two?
What’s your status now, amandapalmer,
shall I update it?
Thistles are a beautiful flower, all pink and
green, like your eye shadow, I said when she got
in the car, smelling of narcoleptic Los Angeles
air, and I like your eye shadow it matches your
dress.
Twitchiking, her compound word, so
proudly she sang it, rolled through me,
conjuring.
Twitch go the limbs, electricity in the
body, quivers and decays, then hike goes the
skirt, then down into dirt.
Another black space in the black space
between breaths, warm in a cloud of her last
breath.
Yes, I’d love to give you the ride and won’t
this be fun and I’m a little shy and please just
shoot my feet and yes let’s have a coffee and no
I don’t mind and my aren’t you lovely?
Like a thistle, bristling, colorful.
I know where the thistles grow.
Would you like to see them, smell them,
taste them, vibrant, soft, verdant, like ants or
a beetle on your tongue?
Perhaps another time?
Perhaps.
Perhaps soon.
I’ll update my status.
I’ll follow you anywhere, not that you’re
going.
After each uncomfortable smile, each shifting
sentence, now nervous she laughed.
I’m laughing, she laughed, won’t laugh.
Not anymore.
No need, not nervous.
Dirt gets under your fingernails even
when you use a shovel or a trowel, it’s the
gardener’s way.
I dig it out with my teeth, tasting the
deep flavors of earth and life, brown and red.
Black spaces and deep earth.
I savored the idea, wondering if she will
remember her name after the first
shovel-shivering blow.
A home run, shuddering like black
licorice tastes.
Will she cry, how much longer the
half-life?
Amanda, Amanda, it echoes and lingers,
then slowly diminishes, a dissonant chord.
Waves to the beaches must forever return.
Here’s where we turn.
Yes, I’ll drop you near the 405.
I know just the place and isn’t she
lovely, isn’t she wonderful?
What ways walk back when walking back
there are no ways to get back?
She’s smiling when I kiss her.
She’s shining with love in the moonlight.
My love overspilling her, but she’s cold,
so very cold now.
I’m just a gardener, I’m just sowing
seeds.
Every seed planted is a funeral, so I
will say a few words.
Respects must be paid and I have no
debts.
The last time, my first time. The next
time, the first time.
And this time is the only time I’ve loved
you, Amanda.
Fewer words hatching, slowly waking reptiles or
insects in the dark, as we rode in the sun, her
eyes reflecting the fear of her last status
post, pools of eyesbright under ivy arched
thistledown, little questions she wrote, not
knowing the answers I know.
Fewer still when the moment was moments
away, when my teeth chattered and battered at
cage doors and sang in dark spaces, calling her
name and my name.
Lips, hissing steam valves, eyes full of
midnight; dirt and dark spaces.
She tap-tapped-tapping out the words to
the song called “what are you doing?”
Dying I am dying, I suggest to myself, a
whispered adulation slips from the dark.
Blunt shovels won’t do, no Amanda, not
for you.
Sharper words and sharper deeds, are
indeed a few of my favorite things.
Where’s the next bus stop she asks after
updating.
I say here and it goes in one ear, but
not out the other.
So keen and so shining, like her eyes,
dropping tears, and I’m wet with it.
Red with it.
Then mouths moving, no words, then
tongues touching, slick with the copper taste of
darkness and fear, then our teeth clicking a
morse code message, terse and dead.
Then she’s warm in my lap, a spreading
pool in my lap, a half-life, smaller and
smaller, constricting to a pinprick, sharp like
my instrument, an infinite point.
Two hundred miles of her skin next to my skin.
Two hundred miles as she dried on my
hands.
Then two more miles we danced through the
trees, where the earth blooms with thistles and
smells of my need.
Two more hours of her love on my hands
and waves in my ears, returning, returning.
We danced in the darkness, her cheek to
the earth.
And I’m lying awake, kissing her dark eyes,
tapping an update with an unknown half-life:
“this isn’t amanda.
amandapalmer has died.”
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